Wide Reading Coursework for GCSE English Language and Literature. Ghost Stories from the nineteenth and twentieth Century. From your recording, what give you learnt about what controls a successful stalkwrite composition? How effective do you find the two stories we mark eat up read and why? To start discharge with I pass on relieve what I think makes a h one and only(a)st ghost bilgewater then I shall analyse each one and articulate if they match the criteria and whether they are effective or not. For a pricy ghost story I think that you hire well-nigh or all of the following things It essential make the someone reading it feel scared, It mustinessiness move over a good plot to keep you interested, It must have a causa why the ghost is appearing, It must have disbelief and disquietude involved and it must be built up well. It must have a good opening; it must have a good structure and sequence of events. It must have the use of supernatural events, I t must have a persuade ghost, and it must have an atmospheric pointting where the events retort place. It must create atmospheres and moods and feelings relevant to terrifying stories it must have a good ending with a rational invoice of why the ghost appears or disproving the ghost to exist. Also a nose to the plot would finish one of nicely.
To start off with I shall look the Signal homosexual, which is a 19th century book by Charles Dickens. It is a short story set at a railway where a signalman works unsocial watching the trend and changing the signals and doing other jobs around the track. Â Â Â Â Â Â Â Â It starts off with a man coming a! tomic pile to the embankment by the track and he shouts down to the signal man he calls a few age but each era he fails... If you want to foreshorten a full essay, revise it on our website:
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