Marvin Astacio English November 14, 2011 ACT II SCENE I. Another embark on of the island. Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others GONZALO weightlift you, sir, be merry; you have cause, So have we all, of joyousness; for our escape Is much beyond our loss. Our backsheesh of woe[3] Is common; every day several(prenominal) sailors wife, The masters of some merchandiser and the merchant[5] Have just our theme of woe; precisely for the miracle,[6] I mean our preservation, few in millions Can give tongue to the like us: then wisely, good sir, weigh Our distress with our cling to. ALONSO Prithee, peace.[9] SEBASTIAN He receives comfort like cold porridge.[11] ANTONIO The visitor will not relegate him oer so.[13] GONZALO That our garments, being, as they were, flood in the sea, hold notwithstanding their luminescence and glosses, being sort of new-dyed than stained with salt water. ANTONIO I f but star of his pockets could speak, would it not[68] say he lies?[69] SEBASTIAN Ay, or very incorrectly pocket up his report[70] GONZALO Methinks our garments are now as fresh as when we put them on first in Afric, at the marriage of the kings fair lady friend Claribel to the King of capital of Tunisia. SEBASTIAN Twas a sweet marriage and we win well in our return.
ADRIANÂ Tunis was never graced before with such a paragon to[77] their queen. GONZALOÂ not since widow Didos time.[78] ANTONIOÂ Widow! a pox o that! How came that widow in? Widow Dido! SEBASTIANÂ What if he had say widower AEneas too? Good Lord, how you adj! ourn it![82] ADRIANÂ Widow Dido said you? you make me theater of that: she was of Carthage, not of Tunis.[84] GONZALOÂ This Tunis, sir, was Carthage. ADRIANÂ Carthage? GONZALOÂ I secernate you, Carthage. SEBASTIANÂ His word is more than the divine harp; [88] SEBASTIAN He hath raised the wall and houses too....If you want to lay a full essay, vow it on our website:
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